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Compact Disc (CD) + Digital Album
45 copies (last 45 of the 60 copies), handmade covers, hand numbered: kraft paper envelopes with wallets inside, photo's, all in a metallic, matte black jacket.
Includes unlimited streaming of Between two worlds
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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Purchasable with gift card
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Highly Limited Special Edition CDr
Compact Disc (CD) + Digital Album
15 copies (first 15 of the 60 copies), handmade covers, hand numbered: kraft paper envelopes with wallets inside, photo's, all in a metallic, matte black jacket + extra outside black cover + extra photo's
Includes unlimited streaming of Between two worlds
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
NORMAN RECORDS REVIEW 9/10
Cynthia are, and I quote, “a pair of well-known artists”. Wait, what? That’s IT? This is the only information Cynthia, the little teases, have seen fit to reveal about themselves, but I think it’s safe to say they’re not the Gallagher brothers.
The CD begins with ‘Between Two Worlds’, the titular track consisting of a long, hazy, fuzzy, distantly throbbing, Rothko painting / piece of deep ambience which, although starting in the most tranquil way, slowly builds into a more close-up techno pulse before this too ebbs back into a gloopy sea of white noise with electronic noises twittering and bursting through to unsettle you. It places the listener squarely between two places; one subtle and ambient and the other, noisy, chaotic, in bubbling turmoil, and poses you the question: can you treat those two [alien] imposters just the same? Can you listen to the track through its whole natural length duration (36 minutes - that’s longer than some complete albums!), particularly under the particular reviewing conditions and time constraints unique to the chair I currently sit in? Maybe. The ending is rather lovely and atmospheric. In an unsettling kind of way.
‘Between Wind and Water’ similarly invites you to sit through eerily whispering hiss on one side and the confused, distorted sound of...what.. animals / children… playing on the other side of a waterfall? But only for three minutes this time. ‘Scratching the Surface’ slowly reveals its subterranean hum from within concealed crevices, pieces of sonic information oozing out through the cracks. It could equally have a soothing or unsettling effect, depending on your mood. At the minute, I’m thinking it sounds like I’m standing up against the vent of a refrigeration unit at the back of Iceland. But maybe that’s because I’m sitting writing this here in a brutalist tower block on the hottest day this northern city has seen in years.
‘Between You and Me’ suddenly brings the bursting, pulsing noise. I was wondering when that would finally happen, it has been threatening in the background so far. Beautiful, harsh, abrasive electronic throb and metallic beats part-obfuscated by screams and squeals, it is impressively energising stuff. ‘Reassurance’ is -- on first listen, at least -- anything but. It takes a few moments for the ears to become re-attuned and the brainwaves to sync up. The voices through the soup of decay take on a ghostly shape but the tone is one which offers as much assurance as it asks of you. As so often across the record, the dense soundscape reveals as much as it obscures. Synth clarifies before sinking… and then resurfacing, time and time again in rapid cycles as the sibilant rhythm track threatens to appear front and centre only to dissipate once more, the thick web ensnaring and devouring as you feel deliciously cocooned, deliriously content. A thrilling record, then: equal parts confusion and exhilaration. And I’m bloody loving it.
credits
released June 27, 2016
Cynthia: analogue sounds, field recordings, keyboards, noise.
Sylvia: edit and mastering.
Sale: images, screaming & shouting
Thank you: Paul, Ian, TAG
supported by 11 fans who also own “Between two worlds”
Peaceful dub and lounge music that'll melt the day's stress. Don't really get to hear this kind of chill music today, so be sure to stop, smell the roses, and listen to this once in a while. DJ Home Movies
supported by 11 fans who also own “Between two worlds”
My first time listening to Wil Bolton. Night Paths is a great ambient album, just like the rest of the Hidden Vibes "series". Highly recommended. ajatuslapsi
supported by 10 fans who also own “Between two worlds”
Anything Jason Corder (Offthesky) touches has a golden glow...so imagine what you get if he teams up with Craig Tattersall (the humble bee) and you have pure magic. Corder's brilliance with the spatial aspects of a composition come into play, in contrast to- or harmony with- Tattersall's smoky, mysterious musings. For example, Rin Howell's vocals are right here, up front- whilst the rest is on different,faraway planes....Magical to say the least......ss/am editions vaché
A featherlight love letter to Japanese agrarian life that draws parallels between ambient, field recording, and Brazilian guitar music. Bandcamp New & Notable Dec 13, 2023
In the music of Paul Jordan, digitally manipulated field recordings become striking electronic songs that feel eerie and surreal. Bandcamp New & Notable Mar 7, 2020
supported by 10 fans who also own “Between two worlds”
Eilean is great at surprising the hell out of me when they find this cyclical, percolating, instrument-rich ambient music. Akin to Eilean's releases from Toàn and Sonmi451 which are two of my most favorite on the label, I'm already certain from the preview songs, that 'Illuminate' will be one of my favorite, most listened to albums of 2019! Hats off to Jason Corder, brilliant work sir. Lost Tribe Sound